Just Because

France Joli: Come To Me (1979)

5 Things to Know About Disco Queen France Joli

With a number of hit songs and a trajectory that has lasted her through four decades of performing, Joli is an icon in her own right. Yet still, many people don't know much about the disco legend.

On the runway of the "Warhol Ball" on RuPaul's Drag Race All Stars 3, Brooklyn's own Aja got read the house down by RuPaul for not polishing up her disco knowledge. While there were multiple problems Mama Ru had with Aja's statements, her major gripe came when Aja mispronounced the name of disco star France Joli.

The name may be unfamiliar to some, but upon hearing a few bars of her smash hit 1979 song "Come to Me," audiences will recognize the diva's stunning voice, still played on radio stations across America. While Joli was unable to repeat Billboard Hot 100 success with her follow-ups, her catalog remained popular within the disco scene. Four decades later, Joli is still performing, an icon in her own right.

Yet still, many people don't know much about the disco legend. Here are five things that you ought to know.

She was 15 years old when she recorded her debut hit album.

A natural performer since a young age, Joli was adamant about breaking into the music industry. The opportunity presented itself when a young Joli met musician and producer Tony Green. She auditioned for him at age 15, and three days later, Green already had her hit song "Come to Me" written for her. They recorded her self-titled album in 1978, and it was released in 1979, when Joli was 16.

Her performance at Fire Island in 1979 is the stuff of legend.

After the release of her album, Joli was presented with an opportunity that would go on to effectively change the course of her career. Donna Summer — the disco legend and Joli's personal hero — had suddenly canceled a performance at a beach concert in Fire Island. The promoters reached out to Joli to see if she could stand in for Summer. Joli agreed.

Now famously known as the "Beach '79" concert, Joli performed for a crowd of 5,000 cheering gay men. Her performance was so strong and so good, that her song "Come to Me" began to skyrocket. After this performance, Joli became an overnight sensation.

"Come to Me" peaked at No. 15 on the Billboard Hot 100 chart

On the heels of her massively popular Fire Island performance, Joli saw her song reach a peak position of No. 15 on the Billboard Hot 100 chart. While Joli went on to have a prosperous career with several popular songs, none of them were ever the sensation that was "Come to Me."

She still performs across America today

After 40 years in the music industry, Joli is still performing. She travels around the country performing at clubs, benefits and festivals, still singing her hit songs from the height of disco. In a 2017 interview with Instinct magazine, Joli said "If someone had told me in 1979, when I was just 16 years old, that I would still be singing my first and biggest hit almost 40 years later, I would have thought they were crazy."

She has always been an ally to the gay community.

Joli, to this day, still recognizes that her career would never have been the same without the thousands of gay men on Fire Island who catapulted her into the spotlight. She was an active voice during the AIDS crisis of the '80s, and still supports and raises awareness for LGBTQ issues today. Not to mention that many of her shows to this day are at gay events and clubs.

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Released 45 Years Ago

https://www.youtube.com/playlist?list=OLAK5uy_kCr8MQoq8KCIboAp61hoX0wiIqC2W14yE

Jean-Michele Jarre: Equinoxe (1978)

Equinoxe 5: With a double sun in a clear blue sky overhead, skimming over endless dune fields in my landspeeder, baby!

I remember the first time I heard this track, I called my friend Kent, and—holding the receiver up to one of the speakers—screamed, "LANDSPEEDERS, Kent! LANDSPEEDERS!"

(At this very moment, I'm listening to the second half of the album at ear-bleeding volume through my headphones and experiencing some absolutely indescribable joy.)

Released 49 Years Ago Today

https://youtu.be/hmIFcekpyBY

Carpenters: Horizon (1974)

What struck me most about this album back in the day was the audio quality. I don't know what magic the recording engineers used, but Karen's voice was crystal clear and it seemed you could hear every instrument used in the arrangements.

Their take on "Please Mr. Postman" remains one of my favorites.

Shave 'em Dry

Shave 'em Dry

I got nipples on my titties, big as the end of my thumbI got something between my legs'll make a dead man cumOh, daddy, baby, won't you shave 'em dry?Now, draw it out!Want you to grind me, baby, grind me until I cry
Say I fucked all night, and all the night before, babyAnd I feel just like I wanna, fuck some moreOh, great God daddy, grind me, honey, and shave me dryAnd when you hear me holler, baby, want you to shave it dry
I got nipples on my titties, big as the end of my thumbDaddy, you say that's the kind of 'em you want, and you can make 'em cumOh, daddy, shave me dryAnd I'll give you something, baby, swear it'll make you cry
I'm gon' turn back my mattress, and let you oil my springsI want you to grind me, daddy, 'til the bell do ringOh, daddy, want you to shave 'em dryOh, great God daddy, if you can't shave 'em baby, won't you try?
Now if fucking was the thing that would take me to HeavenI'd be fucking in the studio 'til the clock strike 11Oh daddy, daddy, shave 'em dryI would fuck you, baby, honey, I'd make you cry
Now your nuts hang down like a damn bell sapperAnd your dick stands up like a steepleYour god-damn ass-hole stands open like a church doorAnd the crabs walks in like people, haw, shit!Shucks, ooh!Baby, won't you shave 'em dry?
A big sow gets fat from eating cornAnd a pig gets fat from suckingReason you see this whore, fat like I amGreat God, I got fat from fuckingEh, shave 'em dry (with pleasure)
My back is made of whaleboneAnd my cock is made of brassAnd my fucking is made for working men's two dollarsGreat God 'round to kiss my assWhoa, woo, daddy, shave 'em dry

 

You can read about Lucille here.

How Long Could You Hold The Attention of a Stadium Full of People?

I have had my issues with Madge over the past couple years, notably some of her unfortunate—in my humble opinion—decisions regarding plastic surgery, but I have to hand it to her: we're the same age and there's no way in hell I could ever do what she's doing in her concerts—especially considering she nearly died a year ago. I'd be gasping for breath after a single number (if I even lasted that long) and needing to sit down!

(And to think that when I was in my 20s I'd be out all night dancing to extended 30-minute song remixes!)

Many years ago I remarked that Madonna needed to start acting her age, settle down and put out an album of Torch Songs, but after seeing clips from her concert tour, I have to say, You Go Girl. You do you because whatever you're doing, it's working!

Bohemian Rhapsody

From Workmen and Rednecks:

Why is the song called 'Bohemian Rhapsody'?

Why does it last exactly 5 minutes and 55 seconds?

What is this song really about?
Why did the Queen movie premiere on October 31?
The movie premiered on October 31 because the single was first heard on October 31, 1975. It's titled that way because a 'Rhapsody' is a free-form musical piece composed of different parts and themes that seem unrelated to each other.
The word 'rhapsody' comes from Greek and means 'assembled parts of a song.'
The word 'bohemian' refers to a region in the Czech Republic called Bohemia, where Faust, the protagonist of Goethe's work of the same name, was born. In Goethe's work, Faust was an elderly and intelligent man who knew everything except the mystery of life. Unable to comprehend it, he decides to poison himself.
At that moment, church bells ring, and he goes outside. When he returns to his room, he finds a dog that transforms into a kind of man. It's the devil, Mephistopheles. He promises Faust a full life without misery in exchange for his soul. Faust agrees, rejuvenates, and becomes arrogant. He meets Gretchen and has a child. His wife and child die. Faust travels through time and space and feels powerful. When he becomes old again, he feels miserable once more. Since he didn't break the pact with the devil, angels contend for his soul.
This work is essential to understanding 'Bohemian Rhapsody.'
The song is about Freddie Mercury himself. Being a rhapsody, it has 7 different parts:
1st and 2nd acts – A Capella
3rd act – Ballad
4th act – Guitar solo
5th act – Opera
6th act – Rock
7th act – 'Coda' or final act
The song talks about a poor boy questioning if this life is real or if his distorted imagination is living another reality. He says that even if he stops living, the wind will keep blowing without his existence. So, he makes a deal with the devil and sells his soul.
Upon making this decision, he rushes to tell his mother and says…
"Mama, I just killed a man, put a gun against his head, pulled my trigger, now he's dead. Threw my life away. If I'm not back again this time tomorrow, carry on, carry on as if nothing really matters…"
The man he kills is himself, Freddie Mercury.
If he doesn't fulfill the pact with the devil, he will die immediately.
He says goodbye to his loved ones, and his mother breaks into tears, tears and desperate crying that comes from Brian May's guitar notes. Freddie, terrified, cries out, "Mama, I don't want to die," and the operatic part begins. Freddie finds himself in an astral plane where he sees himself: "I see a little silhouette of a man"… "Scaramouche, will you do the Fandango?"
Scaramouche is an "escaramuza," a skirmish between armies with horseback riders (4 horsemen of the Apocalypse of evil fighting against the forces of good for Freddie's soul), and he continues, saying, "Thunderbolt and lightning, very, very frightening me."
This phrase appears in the Bible, specifically in Job 37 when it says, "the thunder and lightning frighten me: my heart pounds in my chest." Seeing his son so scared by the decision he has made, Freddie's mother begs to save him from the pact with Mephistopheles. "He's just a poor boy…" "Spare him his life from this monstrosity." "Easy come, easy go, will you let me go?" Her pleas are heard, and angels descend to battle the forces of evil. "Bismillah" (an Arabic word meaning "In the name of God") is the first word in the holy book of Muslims, the Quran. So, God Himself appears and shouts, "We will not let you go."
In the face of such a confrontation between good and evil, Freddie fears for his mother's life and says, "Mama Mia, mama Mia, let me go." They shout again from the sky that they won't abandon him, and Freddie cries, "No, no, no, no, no," and says, "Beelzebub (the Lord of Darkness) has a devil put aside for me." Freddie pays homage here to Wolfgang Amadeus Mozart and Johann Sebastian Bach when he sings… "Figaro, Magnifico," referring to Mozart's "The Marriage of Figaro," considered the greatest opera of all time, and to Bach's "Magnificat."
The operatic part ends, and the rockier part bursts in. The devil, angry and betrayed by Freddie not keeping the pact, says, "So you think you can stone me and spit in my eye? So you think you can love me and leave me to die?"
It's chilling how the Lord of Evil feels powerless against a human being, against repentance and love.
Having lost the battle, the devil departs, and we reach the final act or 'coda' where Freddie is free, and that feeling comforts him. The gong that closes the song sounds. The gong is an instrument used in China and East Asian cultures to heal people under the influence of evil spirits.
It lasts for 5:55 minutes. Freddie liked astrology, and in numerology, 555 is associated with death, not physical but spiritual, the end of something where angels will safeguard you. 555 is related to God and the divine, an ending that will lead to a new beginning.
And the song plays on Halloween eve for the first time. A holiday called 'Samhain' by the Celts to celebrate the transition and opening to the other world.
The Celts believed that the world of the living and the dead were closely connected, and on the Day of the Dead, both worlds would unite, allowing spirits to cross over.
Nothing in 'Bohemian Rhapsody' is coincidental.
Everything is carefully crafted and has a meaning that goes beyond being just a song.
It has been voted worldwide as the greatest song of all time.

Ain't That Enough For You

I kind of wish I'd watched more Soul Train back in the day 'cuz this was the music I was dancing to. But as I remember it was broadcast Sunday morning, and after having been out all Saturday night, Sunday mornings just weren't my jam… Plus I also seem to recall the music they were dancing to on the show was always already old and tired to us gay club kids.

Released 44 Years Ago Today

Elton John: Blue Moves (1976)

Like many others, when  Blue Moves first came out, and for many years later, I had a love/hate relationship with this album. The sound was so different from all of Elton's previous work, and yet still so fresh. It also annoyed me no end back in the day that all four sides of the album wouldn't fit on a standard 90 minute cassette tape, requiring that you buy a notoriously thin and prone to breakage and entanglement-in-the-player 120-minute cassette.

Now, of course, I think this collection is brilliant.

Favorite tracks: One Horse Town, Boogie Pilgrim, Crazy Water, Shoulder Holster, Sorry Seems To Be The Hardest Word, If There's a God in Heaven (What's He Waiting For?), and Bite Your Lip (Get Up and Dance).