Another Excellent Pressing

Based on previous items I've purchased through Instagram ads, I have to admit when I first ordered one of these "Women of Song" recordings, I wasn't expecting much, but I've been pleasantly surprised. Colored vinyl always catches my eye, and while the color of my initial purchase (Nina Simone) didn't match the ad, the sound of the recording offset that enough that I tried another (Ella Fitzgerald, who—let's face it—I'm an absolute sucker for). That vinyl matched what was advertised, and the sonic clarity and absolutely silent background sold me on this series.

The Billie Holiday recording is no exception, and I will be exploring further Verve releases in this series. If you like classic jazz and buy vinyl, check these out.

WTF?!

I got my copy in 2019 for half that amount!

In fact, if you peruse Discogs for colored vinyl copies of any of Madge's albums, you'll see the prices are astronomical now. Are the bookies expecting her to shuffle off her mortal coil sometime soon? It's crazy!

And don't even get me started on this one…

Keep in mind the prices noted are the average of all the identical items listed for sale on Discogs at that moment in time. Bedtime Stories (the two-disk reissue on pink vinyl) has been one of my holy grails for as long as I can remember, but to pick up a mint or near mint copy, it's gonna cost you signficantly more than $155—like two to three times that.

And I'm sorry…even if I had the funds on my salary, short of winning the Lottery I'm not dropping $350-400 on a single piece (well, in this case 2 pieces, but you get my drift) of vinyl.

And while we're on the subject of the financially unobtainium…

I don't know where that $249 price is coming from, because if you actually go on the Discogs site, there are currently only two copies for sale and they're nowhere near that amount:


(Click to embiggen)

Why so much for an incredibly popular recording that had millions of pressings worldwide? Because this one is autographed and pressed on brown vinyl. Brown dirt cowboy, get it?

 

Some Boys Are Just Born With…

When I was growing up and coming of age, vinyl (and to a lesser extent, cassettes) were the only real choices. Yeah, there was reel-to-reel tape, but who could afford that? Nearly all of my musical memories are tied to vinyl, with the exception of a half dozen or so CDs that really stand out in my memory.

CDs may come and go from my life (and as I've mentioned here several times, all of them did go after the fire two years ago), but after purging all my vinyl in the late 1980s and rebuilding and augmenting my collection in the 90s through today,  vinyl is forever. Even if I don't play it nearly as much as I'd like to.

And while I may balk at paying $35 for a new (or reissued) release, when you take inflation into account, that price is actually on par with the $5-10 I'd pay for stuff back in the day.

 

My Latest Acquisition

Prompted by this and an offline convo I had with one of my readers (you know who you are), I decided it was time to add Ray of Light to my vinyl collection. This 2-disk, 180g clear vinyl, Record Store Day/Black Friday 2018 special edition didn't come cheap. It cost a bit over twice what I'm used to paying for new vinyl, but it was worth it.

Now I'm just worried that this purchase will  justify shelling out twice that for the purple vinyl edition of Prince's Purple Rain that I've been eyeing for years.

Gorgeous

I'm a Technics 1200 guy through and through, but damn if this Marantz table— just as an object, if for no other reason—isn't fucking gorgeous.

Record Store Day Spring 2021

There was only one thing that piqued my interest on the list of RSD releases, and that was the 2-disk, 180-gram gatefold soundtrack of John Carpenter's Village of the Damned. It arrived today, and I have to say it's…luscious. Dynamic range and stereo separation are what vinyl is all about. And the soundstage? Absolutely silent. Equal to my German Kraftwerk recordings.

I've been doing this so long I remember the Receiver Wars of the 1970s!

Even Though I Now Own My Dream Turntable…

I admit I still have a soft spot in my heart for the much less advanced SL-1600. After lusting over my high school buddy's SL-1300 for years, I finally scraped up enough money to buy my own—only to be greeted by the news it was no longer available and had been replaced with the 1600. The 1600 proved to be a much better table than the 1300, so I wasn't disappointed once I started using it.

I gave it to my sister when I got a 1300Mk2 a few years later.

After I'd ditched all my vinyl—and turntable—in the late 80s, when I decided to get back into it in the mid 90s, I returned to a 1600 because the 1300Mk2 was initially unobtainium to me. (There was no eBay; I bought it at a used stero equipment store in Berkeley and the 1600 was the best Technics deck they had available.)

Guess Who Got a New Toy?

And by "new," I mean obviously lovingly and gently used.

It's no secret among my friends who are into audio that the Technics SL-1300Mk2 turntable has been my go-to deck since I bought my first one new back in 1978. It has its design flaws that I've discussed previously, but it was the one inanimate thing—along with the rest of the stereo (I am a child of the 70s after all) that I wanted out of the house immediately after the fire.

That is not to say I've only had eyes for the 1300Mk2. Back around 2005 I started thinking maybe it was time to retire the old girl and get something new, and to that end I investigated the legendary 1200Mk2. While I was sorely tempted and actually had the funds at the time (they were still quite reasonably priced at about $500), I just couldn't tear myself away from the digital readouts and—lets face it—the nostalgia that accompanied the 1300Mk2.

That's not to say I took my eye off the 1200Mk2s completely. When Technics discontinued the line in 2010, my heart sank a little, as I knew the opportunity to buy a new Technics direct drive turntable had passed me by. Yeah, there was always the used market on eBay, but as the years passed and the demand went up, the price for used units went up and the condition of the tables that were for sale took a nosedive. And yes, there were a few "new in box" units available, but the prices were up in the stratosphere.

But even fifteen years on, I still peruse the auctions, saddened that 98% of the units for sale look like they'd been ridden hard and put away wet. My friend John—who used to repair these turntables for a living—warned me not to buy any 1200s that had lived their lives in use as DJ equipment.

In the interim of course, Technics reintroduced their venerable 1200 series with new models containing updated technology, but at prices way more than I was willing to pay. (To be honest, I probably would've gotten a Mk7 if it had been available in silver; sadly it was not.)

So that's why when an ad appeared on eBay early last week offering a two-owner-home-use-only 1200Mk2 for sale at a very reasonable price, I jumped on it. There weren't that many people watching the auction, but I still brought my sniping skills to bear in the final seconds of the auction and walked away a very happy man.

The deck arrived today and I'm ecstatic. Except for the dust cover that has some scuffs, it looks—and works—like it was brand new.

Marie Kondo might ask, "Does it bring me joy?" I can say unequivocally that yes Marie, I does bring me joy. And after the last three months—hell, the last year—I think that's something I could use.

Finding My Bliss and Following My Joy

My second order from HHV arrived today, and the quality of these disks is just as amazing as the first.

Absolutely silent background, and a mastering job that is letting me hear things I've never heard before—and that's saying something considering the hundreds of times I've listened to these records over the years.

While I have it ripped from a borrowed CD in MP3 format, I never owned Tour De France on vinyl—at least not the full album and certainly not when it was initially released.










There's been an  (unobtainable) bootleg pressing of Computer World on yellow vinyl for years, but apparently it's so hinky not even Discogs will allow it to be sold through the website. That's one of the reasons I jumped on this:








Yes, I already own a copy of the original Man Machine from 1978 on red vinyl; one of my "holy grails." But it this is 180g vinyl and well, totally free of pops, clicks, and background noise. So it's justified…








Finding My Bliss and Following My Joy






About a month ago I ran across an ad for the soon-to-be-released reissue of all of Kraftwerk's albums. Being ein großer Fan, naturally this drew me in. But to be completely honest I was apprehensive. On first blush, it seemed like one of those "too good to be true" things that have burned me on more than one occasion in the past

First of all, they were coming from Germany, and since COVID, I've run into nothing but grief buying records from sellers in the country. Secondly, they intially seemed a bit pricey, but adjusting for inflation over the last fifty years, were really no more than what I'd pay for a good pressing back in the day. (This has helped me justify paying $25-35 for records that would've cost $8 in the late 70s.)

Still, I was tempted enough that I threw caution to the wind and ordered two albums. They arrived earlier this week, and I have to say any misgivings I may have had were blown away by spending an afternoon in absolute aural bliss.

The quality of these recordings is phenomenal. 180g vinyl. The background is absolutely silent; what you'd expect from digital but with the overall warmth of analog. And the packaging is beautiful.





This is why I spin vinyl.

So…needless to say, I went back online and ordered 3 more: The Man MachineTour de France, and Computer World. I'll post more after they arrive.

Vinyl Nerd Talk

For the first time since I started playing vinyl as a wee lad, this weekend I broke down and got a stylus scale and alignment protractor to verify my turntable was set up correctly.

They were unnecessary. My tonearm balancing skills were off by only 2/10 of a gram, and thanks to one of those ubiquitous white Technics cartridge alignment tools, the alignment was spot on. Still, good to know.